FREELANCE PROOFREADING OPPORTUNITIES
The following information relates primarily to proofreading in the UK, but much of the information is relevant worldwide.
If you are based in the UK, please click here for the UK site.
Each year, in excess of 100,000 books and journals are
published in the U.K. Each of these will have started out as
an author's manuscript complete with errors, inconsistencies
and spelling mistakes which need to be removed.
This takes the form of two processes, copy-editing and
proofreading, both of which are very often carried out by
freelance copy-editors and proofreaders from home. This is
more cost effective for the publishers, given that the
volume of work can be unevenly spread throughout the year,
and will require specialists from differing fields.
Like any other freelance work, check out any company
if you are taking on a large quantity of work, as freelancers
and other contractors are always the last to be paid in times
of economic difficulty for a company, or for less scrupulous companies.
A particularly high risk sector is vanity publishing
(eg former company Minerva Press Ltd)
Whilst no formal qualifications or previous experience
are necessarily required, a good command of English, a systematic
approach and an eye for detail are obviously necessary.
The copy-editor's task is to remove any errors or
inconsistencies in the author's copy prior to publication.
This doesn't just mean spelling mistakes, but also
punctuation and grammatical errors, inconsistencies and even
factual errors.
A typesetter will then produce a proof copy of the item
prior to publication. This proof, together with the
copy-edited manuscript, will then be passed to a proofreader
who will check that the typesetter has not made any errors
and also check for any mistakes the copy-editor may have
overlooked.
You can expect to earn in the region of £12 an hour
as a proofreader (the SfEP recommended minimum is now over £15), although
the more specialist knowledge you
have, the higher the fee you will be able to command.
Age and location are no barrier, with work usually sent
by post or courier. Although there are no formal
qualifications you can obtain, you will find many training
courses advertised in the press - home study courses,
one-day workshops and residential courses, together with
books and guides to get you started. None of these courses
and guides can guarantee work, so be very wary if you see
any that claim to provide work at the end. Below are details
of some of the recommended guides and
training courses available to you,
together with details of useful
contacts.
'It must be emphasised that this is a difficult field to break into,
and only the best (and most persistent) will succeed in finding regular work.
This is NOT a quick-fix career change.'
If you're still wondering whether you are cut out for
proofreading I've included a short
proofreading test for you. This has been
devised by and reproduced here with the kind permission of
Trevor Horwood, author of one of the best guides I've come
across. He started out as a proofreader late on in life,
having grown tired of the motorway driving and office
politics of his sales job, and now works successfully full
time. There are 30 errors in this test, but don't worry if
you can't find them all. I'll e-mail you the answers if you
need them. If you do find them all, it doesn't necessarily
make you a born freelance, and if you miss a few all is not
necessarily lost. If you are the kind of person who enjoys
this type of 'spot the deliberate mistake' game, then you
should certainly enjoy life as a freelance. Feel free to
consult a dictionary or any other reference book you have to
hand.
RECOMMENDED GUIDES
As I mentioned above, I would strongly recommend the
following book as a starting point.
"Freelance Proofreading and Copy-editing - A Guide" by
Trevor Horwood.
It covers the book production process, how to read and
correct proofs, copy-editing, rewriting and project editing,
reference books and training options and a glossary of
publishing jargon. Once you've mastered the theory, there is
a section of exercises, complete with analysis and
explanations, together with chapters on how and where to
find work and 101 potential customers (with addresses and
telephone numbers).
What makes this guide unique is its link to a web-site.
Like any other, the publishing world experiences constant
change. Companies may move or be taken over, and information
requires updating. To address this problem, any changes,
together with links to the websites of organizations
mentioned in the book, are made available to owners of the
guide.
Take a look at all the 5 star reviews it receives at Amazon
A money-back guarantee is offered with this guide. If
after reading the guide you feel that you are not cut out
for freelancing, simply return it to me within thirty days
and your money will be refunded in full - no questions
asked. (Please note that this money-back guarantee applies
only if the guide is purchased direct, not from Amazon or
any other bookseller.)
To order your copy of "Freelance Proofreading and
Copy-editing - A Guide", please send a cheque, postal order
or international money order for £15.00 sterling,
payable to Mrs L O'Connor, together with your name and
address to:
Mrs Lynne O'Connor
91B Acton Lane,
London, NW10 8UT
UK
Postage and packing is free within the UK. For any European destination
please add £1 towards additional costs. For destinations outside Europe, please add £3.00
towards postage (£18 total). Please note that all cheques must be
drawn on a UK bank. If you wish to pay by credit card, or Paypal balance,
click on the link below:
Alternatively you can order it from Amazon UK,
Amazon.com or through your local
bookshop.
Freelance
Proofreading & Copy-editing - A Guide
Other books you may wish to consider are listed below.
Please note that some of the following are UK editions and some are American
books, and as such will refer to the relevant spelling and style, both of which
differ in subtle but important ways. Make sure you purchase books applicable to the market you wish to enter.
They can all be ordered over the Internet from Amazon.com or Amazon UK as indicated.
Books on Proofreading and Copyediting
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Lapsing into a Comma
Bill Walsh
For lovers of language, Lapsing Into a Comma is a sensible
and very funny guide to the technicalities of writing and copy
editing. Author Bill Walsh, chief copy editor in the business
section of the Washington Post, humorously discusses the changing
rules of proper print style in the information age. Is it "e-mail"
or "email"? According to established grammatical rules, it should be
e-mail, but in common practice, we often use email (which should be pronounced "uhmail," but we all know not to do that).
Therefore, email is OK.
Sample pages can be viewed on the US site at
Amazon.com
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Copy-editing
Judith Butcher
Since it was first published in 1975, Judith
Butcher's "Copy-editing" has become established as
a standard reference guide. The new edition has
been revised and redesigned to provide an
up-to-date and clearly presented source of
information for editors, authors and all those
involved in the process of preparing typescripts
and illustrations for printing and publication.
From the basics of how to mark a typescript for the
designer and the typesetter, through the ground
rules of house style and consistency, to how to
read and correct proofs, "Copy-editing" covers all
aspects of the editorial processes involved in
converting author's typescript to printed page.
Formerly head of the copy-editing department at
Cambridge University Press, Judith Butcher takes a
clear and practical approach to problems and
pitfalls. Like its predecessors, this new edition
is intended for new and experienced editors alike.
Also available from
Amazon.com
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The
Copyeditor's Handbook Amy Einsohn US Edition
This is a practical manual for newcomers to
publishing and for experienced editors who want to
fine-tune their skills or broaden their
understanding of the craft. Addressed to
copyeditors in book publishing and corporate
communications, this handbook explains what
copyeditors do, what they look for when they edit a
manuscript, and how they develop the editorial
judgment needed to make sound decisions. The major
topics include: procedures for copyediting
on-screen and on hard copy; basic reference books
and online editorial resources; mechanical
conventions; solutions to grammar problems;
handling of tables, graphs, illustrations,
reference, notes, bibliographies and indexes; and
typecoding and specification. The book is designed
to be used for self-instruction or as a textbook in
copyediting classes. The 15 practice exercises,
ranging from sets of sentences to 900 word
articles, are accompanied by answer keys and
detailed line-by-line explanations. There is also a
glossary of copyediting jargon, grammar terms and a
checklist for analyzing the idiosyncracies of a
publisher's "housestyle".
Also available from
Amazon.com
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Oxford
Writers' Dictionary R.E. Allen (Editor)
Would you write council house or
council-house, referendums or referenda, vice versa
or vice-versa, razzmatazz, or razzamatazz, or
razz-ma-tazz, or ...? This comprehensive and
authoritative dictionary of writing style and usage
is an indispensable aid to writers, journalists,
editors, publishers, and anyone who wishes to write
correctly and effectively. * Straightforward
guidance and rulings on problems of grammar,
syntax, spelling, and punctuation * Broad coverage
includes names of people and places, and foreign
words and phrases * Helpful and informative on
aspects of usage, such as capitalization and
abbreviations This book is intended for writers,
editors, journalists, publishers, and anyone
concerned with writing correctly and effectively.
Also available from
Amazon.com
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Proofreading
Plain and Simple ; May, Debra Hart US Edition
Includes proofreading exercises, examples of how
to make corrections, the most common and most
critical errors to catch, and a chart of the most
common proofreading symbols.
A well-organized and concise reference for those
who need to proofread written material. Excellent
reminders for those who are experienced in
proofreading, pointing out the pitfalls of
proofreading one's own work (and even recommending
graceful ways to proofread friends' and coworkers'
materials). Good review of the basics of editing,
appropriate use of proofreader's marks, and many
excellent recommendation and reminders about the
objectives and goals of proofreading. Should be
part of your professional library. (Review taken
from the Amazon site)
Also available from
Amazon.com
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Powerful
Proofreading Skills; Tips, Techniques and
Tactics Debra A. Smith, Helen R. Sutton
Explains basic proofreading rules, guidelines, strategies, and tips.
US Edition.. Also availabel from
Amazon.com
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Penguin Guide to Punctuation R.L. Trask
Focusing on British and Commonwealth punctuation, but also explaining American
usage, this text contains clear and up-to-date definitions of each type of punctuation. It includes the correct use of capital letters, contractions and abbreviations,
italics, boldface and the special characters available on a word processor.
Also available from
Amazon.com |
Mind the Gaffe ;
R.L. Trask. Amazon Price £6.39
320 pages (July, 2002)
Synopsis
What is the difference between "imminent" and "immanent"? When is it appropriate
to use the phrase "Hobson's choice"? Can anything be described as "very real"?
There are so many obstacles on the way to writing clear, precise
("accurate"?) English ("english"?) that it is a wonder ("wander"?) anyone (
"anyone" or "any one"?) can make themselves understood. In this guide,
Professor Larry Trask gives advice on how to write simply and effectively
and to avoid blunders and howlers which might otherwise leave your readers
either bemused or rolling on the floor with laughter. He also adjudicates on
hundreds of contentious issues (should "aggravate", for example, only be
used in its strict meaning of "make worse"), helps the reader decide when it is
appropriate to use British or American spelling ("millipede" or "millepede") and
warns of the dangers which careful writers might encounter with e-mail. The result
is a book that should be of use to all writers who want quick, sound advice on
making their prose as readable and clear as possible.
Also available from Amazon.com
Writers'
& Artists' Yearbook 2007
If you want to know which companies produce publications
within your specialist sectors, this book has details of all
UK newspapers and magazines with named editors and book
publishers.
Also available from
Amazon.com
2007
Writer's Market
The Classic Resource for Every Writer Who Wants to Be Published
- *Features more than 3500 market listings
- *Includes 500 new markets for 2007
- *Provides 100% updated material
Continuing the tradition of providing writers with the information they need to get published,
the 2007 Writer’s Market is the go-to guide for anyone who wants to be published. Featuring new and
exclusive interviews with Alice Kaplan, Augusten Burroughs, and Jennifer Weiner, the latest edition
also includes articles covering the basics of book proposals, how to get freelance writing gigs,
the keys to successful query letters, the six rules critical to publishing success, and more.
Also available from
Amazon.com
Handbook
for Proofreading (American Edition) ; Anderson, Laura
Killen
Demonstrates the basic methods of proofreading,
introduces proofreading marks and tells how to create a
style sheet, check facts, and add typesetter instructions.
Also available from
Amazon.com
Go
Ahead, Proof It K D Sullivan
Includes proofreader's marks and tips for catching
spelling, grammar, and punctuation errors, and provides
formats for numbered lists, captions, runni heads, and
tables of contents.
Excellent for beginners or as a basic refresher.
This book covers basic proofreading elements that will be
extremely helpful to anyone who is new to the field or wants
to pursue this career. There are many insider tips that are
extremely useful. Also serves as an excellent refresher for
people who have been proofreading for a few years. Not
all-inclusive as far as grammar, syntax, etc., go (pick up a
grammar book for that), but absolutely excellent for the
basics and insider tips. (review taken from Amazon
site)
Also available from
Amazon.com
UK TRAINING COURSES
Looking for a proofreading home study course? The only courses recognised and recommended by many
publishers in the UK are those run
by The Publishing Training Centre at Book House, an educational charity
dedicated to the pursuit of excellence in publishing. Once you have successfully completed one of The Publishing Training Centre's distance
learning courses, your services can be listed on The Publishing Training Centre's
Freelance Directory which gives publishers access to freelancers. Visit their website at
http://www.train4publishing.co.uk
or telephone 020 8874 2718 for more information on their courses and
good advice on working freelance within the sector.
CONTACT POINTS
Biz-banana.com has an excellent report on proofreading, together with reviews of
various courses and guides on the market. Updated and expanded for 2006, it
takes a good look at the fascinating process of book publishing and the potentially
lucrative rewards available to the successful freelance proofreader/copyeditor.
In addition to http://www.train4publishing.co.uk mentioned above, one website I recommend you check out is for
The Society for Editors and Proofreaders. The SfEP is a
non-profit-distributing organization with the twin aims of:
- promoting high editorial standards
- achieving recognition of the professional status of
its members
There are currently around 1400 members (mostly in the
UK), providing a wide range of freelance editorial services
to the publishing community and beyond. Among the Society's
publications are a monthly Newsletter called CopyRight and
the annual Directory, which provides details of services
provided by members. On their website is a long list of
companies that use freelancers and the type of specialist
fields where freelancers are needed.
http://www.sfep.org.uk/
Online Proofreading Employment
Global Company sometimes seeks qualified freelance proofreaders.
You must be completely equipped for handling work through the Internet.
We are only interested in those who are professional, highly skilled with at
least three years of practical experience. Apply by filling out our online application.
You will be asked to provide the following information:Your resume in Microsoft Word
or Acrobat PDF format, Two professional references, Areas of technical expertise,
Minimum hourly rate, Style manuals used and titles of publications copyedited.
Contact Name: Dale Adams.Apply online for proofreading vacancies.
http://www.edserv.com/applications/default.asp
ACADEMICWORD seeks people with OUTSTANDING English writing skills to
proofread and copyedit academic and technical texts. We seek applicants
from a wide range of academic backgrounds, including the natural sciences,
social sciences, health sciences, engineering, law, and the humanities.
Projects can vary from 10-page research papers up to thousand-page book
manuscripts.
Editors are paid per assignment and work from their own computers, with assignments
delivered and returned by e-mail. ACADEMICWORD offers competitive compensation
and flexible work schedules.
If you are interested in applying, please use the form at http://www.academicword.com/et1.asp.
You will subsequently be sent at a preselected time, a timed 30-minute editing test.
PROOFREADING TEST
This test has been prepared by Trevor Horwood, author of
the book " Freelance Proofreading and Copy-editing - A
Guide" which is described above.
E-mail me if
you need the answers. The test contains a total of thirty errors.
As we enter the new millenium its difficult to avoid
thinking about how the world is changing. In the 1980’s few people
had even seen a computer, let alone owned one. Now they are on most
childrens’ christmas wish-lists. In the 1990’s satelite television
was a new and wondrous thing – no less than sixteen channels through
one ariel! Compare that figure with the hundreds available today.
Digital broadcasting has changed our lives to such an extent that
the question is no longer ‘TV or not TV?’ (to misquote Shakespear),
but ‘Could we manage without it?’ Can you imagine life a hundred years
ago, when there was neither television or radio. For us, it doesn't
bare thinking about, but perhaps our great-grandparents were equally
as content to sit round a piano as we are to stare at a screen.
There would have been no disagreement about what channel to watch,
at least.
Which would you choose as the best of the two period’s
in which to live? In 1900 there was certainly less leisure time,
accomodation was terribly cramped, there were two world wars to come,
(not to mention the Spanish influenza epidemic of 1918, which was
responsable for the deaths of more British people than the Second World War
preceeding it), a holiday was a luxury and there was no modern conveniences.
I am not, of course, inferring that all is now perfect. Today we have global
warming, gridlocked traffic, GM foods, BSE, ME, AIDS and many other unwelcome
contractions and anagrams – problems all partly or wholly atttributable to
technological advances. On balance, though, I think I would prefer to take
my chances in todays silicone-enhanced world of bits and bites than in the
troubled times of our forbears.
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